Yes, it features a built-in 13.3-inch Full HD LCD monitor that displays multiview, preview, and program feeds simultaneously.
No, this is a hardware switcher. You will need an external capture card or streaming encoder (like an OBS-linked PC or a dedicated hardware encoder) to stream to online platforms.
It supports a total of 6 inputs: 4x 3G-SDI inputs and 2x HDMI inputs, supporting resolutions up to 1080p at 60fps.
Yes, it supports PiP and PoP (Picture-outside-Picture) modes, allowing you to overlay two video sources with adjustable size and position.
The AV-Matrix PVS0613 is a portable 6-channel multi-format video switcher designed as an all-in-one solution for live production and field broadcasting. It occupies a specific niche in the manufacturer’s lineup, sitting above the compact 4-channel micro-switchers by integrating a dedicated 13.3-inch Full HD IPS monitor directly into a rugged, "briefcase-style" metal chassis. This design is engineered for technical directors and broadcast engineers who require a mobile control room that can be deployed in minutes without the need for external multiview displays. The core of the unit is its versatile input array, featuring 4x 3G-SDI inputs and 2x HDMI inputs, allowing it to interface with professional cinema cameras and consumer-grade mirrorless or laptop sources simultaneously. It supports internal signal scaling and frame rate conversion across all inputs, outputting a unified Program (PGM) signal up to 1080p at 60 frames per second.
The internal processing of the AV-Matrix 6 Input with screen utilizes a 10-bit YUV 4:2:2 color space, ensuring that chroma keying and color reproduction remain accurate through the switching matrix. Each of the six inputs features an independent scaler, which means the switcher can ingest a 1080i50 SDI signal from a broadcast camera alongside a 1080p60 HDMI signal from a laptop without causing sync issues or requiring external converters. The integrated 13.3-inch IPS display provides a 1920x1080 resolution multiview, showing all six input sources, the Preview (PVW) bus, the Program (PGM) bus, and essential status information such as audio levels and timecode. For advanced visual compositions, the unit includes a dedicated PiP (Picture-in-Picture) and PoP (Picture-outside-Picture) mode, where the size and position of the sub-window can be adjusted via the menu system. It also features a built-in chroma key and luma key engine, allowing for the removal of green or blue screens for virtual studio applications.
The hardware interface is centered around a traditional T-Bar for manual transitions, providing tactile control over MIX, FADE, and WIPE effects. For automated switching, the console includes an "AUTO" button with adjustable transition durations and a "CUT" button for instantaneous source changes. The chassis is constructed from high-strength metal, which acts as a heat sink for the internal components during long-duration broadcasts. On the right side of the panel, a dedicated audio mixer section allows for the control of embedded audio from the SDI and HDMI sources, as well as external audio via 3.5mm and RCA inputs. The "Audio Follow Video" (AFV) mode can be toggled for each channel, ensuring the audio source switches automatically with the video feed. The unit also features a 1/4-inch thread on the bottom for mounting to a stand, though its briefcase design is primarily intended for tabletop operation. The inclusion of a GPIO interface for Tally systems allows the switcher to communicate with camera operators, indicating which camera is "live" (Red) and which is on "preview" (Green).
The AV-Matrix 6 Input with screen offers a comprehensive output suite: 2x 3G-SDI PGM outputs, 1x HDMI PGM output, 1x SDI AUX output, and 1x Multiview output (available via both SDI and HDMI). The AUX output is particularly useful as it can be assigned to any of the six input sources or the PGM feed, allowing for a clean feed to be sent to a secondary recorder or a localized monitor for talent. For archival and delivery, the unit features a built-in SD card slot that records the PGM signal in H.264 codec at bitrates up to 16Mbps, supporting SD cards up to 256GB. Furthermore, the USB Type-C output enables UVC (USB Video Class) and UAC (USB Audio Class) support. When connected to a computer, the switcher is recognized as a standard webcam, allowing for direct streaming to platforms like YouTube, Twitch, or Zoom without the need for an additional capture card. The recording resolution matches the PGM setting, supporting 1080p, 1080i, 720p, 576i, and 480p at various standard frame rates.
In a corporate seminar setting at a tech park in Bengaluru, the AV-Matrix 6 Input with screen excels due to its SDI density. A typical setup involves two SDI cameras positioned at the back of a large hall, utilizing 100-meter SDI cables to maintain signal integrity, while two HDMI inputs are used at the podium for a presenter's laptop and a local confidence monitor. The integrated screen allows the operator to manage the entire switch from a cramped technician's booth without needing to mount a separate multiview monitor on a stand. The UVC output is simultaneously sent to a laptop running OBS for a high-quality LinkedIn Live broadcast of the keynote.
For a destination wedding in Goa, the portable design is a significant advantage. During the outdoor Mandap ceremony, the switcher can be powered via a DC power source and placed on a small table. The 13.3-inch screen is bright enough for the technical director to monitor the four-camera setup (three SDI for the ceremony and one HDMI for a roaming wireless feed) even in shaded outdoor conditions. The internal SD card recording serves as an immediate backup of the edited ceremony, providing the client with a "same-day edit" base even before the individual camera cards are offloaded.
In a Mumbai-based digital studio for a live-commerce session, the switcher’s chroma key capabilities are utilized to place the host in a virtual storefront. The two HDMI inputs are used for close-up product shots from mirrorless cameras, while the SDI inputs handle the wide and medium shots. The RCA audio inputs allow for a professional audio feed from a dedicated sound mixer, ensuring the product descriptions are captured with high fidelity. The ability to switch between PiP layouts allows the operator to show the product and the host simultaneously, which is essential for interactive sales broadcasts.
The AV-Matrix 6 Input with screen is compatible with any camera outputting a standard SMPTE-compliant SDI or HDMI signal. For professional workflows, it pairs optimally with cinema cameras like the Sony FX6 or Canon C70, which can utilize the SDI ports for secure, locking connections over long distances. For wireless setups, it is frequently paired with Teradek or Hollyland Bolt systems; the receiver units can be mounted nearby and plugged into the HDMI or SDI ports. To power the unit in the field, a V-mount battery with a D-Tap to DC barrel cable is recommended, as the unit requires a 12V DC input. For recording, Class 10 or U3 SDHC/SDXC cards are necessary to handle the 16Mbps H.264 stream without frame drops. The GPIO port is compatible with standard Tally light systems, which are essential for multi-camera coordination in a live environment.
While the AV-Matrix 6 Input with screen is a robust HD tool, it does not support 4K (UHD) resolutions. If a project requires a 4K end-to-end workflow, a switcher from the Blackmagic Design ATEM Constellation series would be required, though these lack the integrated screen and portability of the AV-Matrix unit. The internal H.264 recording is intended for backup or quick delivery; it does not record in high-bitrate intra-frame codecs like ProRes or DNxHR. For high-end post-production requirements, an external recorder like an Atomos Shogun should be connected to the PGM output. Additionally, while the 13.3-inch screen is highly convenient, it may be too small for complex productions where the director needs to see fine detail in six different sources simultaneously; in such cases, using the HDMI Multiview output to drive a 24-inch or 32-inch external monitor is advised. Finally, the unit does not have built-in NDI (Network Video Interface) capabilities; users looking for an IP-based workflow should consider the NewTek TriCaster line or use external NDI-to-SDI converters.
This Av-Matrix 6 Input with screen is delivered to your door anywhere in Mumbai and collected from the same address when your rental ends. Pick your dates on this page to see the exact price for your booking — rates are per day and drop for longer rentals, so weekly and monthly bookings cost less per day than the daily rate.
Most rentals in Mumbai are zero-deposit once your one-time Aadhaar-based KYC is done; high-value kits carry a refundable deposit returned when the gear comes back. Shooting early? Schedule delivery for the evening before so you start the day charged and tested.