The ST Video 750 provides a stable wireless transmission range of up to 750 feet (230 meters) in line-of-sight conditions.
Yes, both the transmitter and receiver are equipped with SDI and HDMI ports, supporting cross-conversion and versatile camera-to-monitor setups.
No, the system features zero latency (less than 1ms), making it perfect for real-time monitoring and precision focus pulling.
The units can be powered using standard Sony NP-F series batteries or via the DC input (7-36V) using a D-Tap to 4-pin cable.
The St Video 750 Sdi/Hdmi is a professional-grade wireless video transmission system designed to provide a stable, zero-latency link between a camera and a remote monitor. Within the manufacturer’s ecosystem, this unit serves as a high-endurance mid-range solution, offering a line-of-sight transmission distance of approximately 750 feet (230 meters). It is built around the 5.1GHz to 5.9GHz frequency band, utilizing Orthogonal Frequency Division Multiplexing (OFDM) to maintain signal integrity in environments crowded with competing radio frequencies. The system consists of a dedicated transmitter (TX) and a receiver (RX), both housed in ruggedized aluminum alloy casings designed to withstand the thermal demands of continuous operation. Unlike consumer-level Wi-Fi based transmitters, this system is engineered for the cinema and broadcast industry, where frame-accurate monitoring is a prerequisite for focus pulling and real-time directorial oversight. It occupies a specific niche for productions that require more range than entry-level 300-foot units but do not necessitate the extreme 2000-foot range of long-haul broadcast arrays.
The core capability of the St Video 750 Sdi/Hdmi lies in its ability to transmit uncompressed 10-bit 4:2:2 video signals with a latency of less than 1 millisecond. This "zero-latency" performance is achieved through the absence of heavy H.264 or H.265 compression cycles, which are typically responsible for the lag found in lower-tier wireless systems. The device supports a wide array of video standards via its 3G-SDI and HDMI interfaces, ensuring that the color science and dynamic range captured by the sensor are reproduced faithfully on the receiving end. By operating in the 5GHz ISM band, the system utilizes Dynamic Frequency Selection (DFS) to identify and pivot to the cleanest available channel, minimizing the risk of signal dropping or "glitching" caused by local routers or mobile devices. The transmission power is rated to penetrate moderate physical obstructions, though it is optimized for clear line-of-sight paths where the 750-foot range can be fully realized without a reduction in bit-rate.
Both the transmitter and receiver are constructed from CNC-machined aluminum, providing a heat-sink effect that is critical during long shoot days in high-ambient-temperature environments. The transmitter features a compact form factor with a weight of approximately 260 grams, making it suitable for mounting on gimbal cages or handheld rigs without significantly shifting the center of gravity. Both units are equipped with external RP-SMA antenna ports, allowing for the use of standard "duckbill" antennas or high-gain mushroom antennas depending on the range requirements. For mounting, the units provide 1/4"-20 threaded holes on the bottom and side, facilitating attachment via magic arms, cold shoe adapters, or dedicated battery plate sandwiches. An integrated OLED screen on the side of each unit provides real-time telemetry, including the current frequency channel, signal strength indicators, video format (e.g., 1080p 59.94), and battery voltage levels. This hardware-based interface ensures that settings can be adjusted without the need for a secondary mobile app or external controller.
The St Video 750 Sdi/Hdmi is highly versatile in its input and output configurations. The transmitter features one HDMI input and one 3G-SDI input, along with an SDI loop-out port. This loop-out is essential for on-camera monitors, allowing the operator to view the feed locally while simultaneously transmitting it to the director’s station. The receiver is equipped with one HDMI output and dual 3G-SDI outputs, enabling the signal to be split across two separate monitors or a monitor and a wireless video switcher without requiring an external SDI distributor. The system supports a comprehensive range of resolutions and frame rates, including:
In a Bengaluru wedding reception held in a large convention center, the St Video 750 Sdi/Hdmi is tasked with overcoming significant RF interference from hundreds of guest mobile phones and local Wi-Fi networks. The manual channel selection allows the technician to scan for a clear frequency, ensuring the live feed from a roaming gimbal remains steady as the operator moves from the stage to the back of the hall. The 750-foot range provides enough overhead to maintain a signal even when the line of sight is momentarily broken by pillars or decor.
During a Mumbai studio session for a high-end product commercial, the system’s SDI workflow becomes the primary asset. The transmitter is mounted to a cinema camera on a heavy-duty tripod, with the SDI loop-out feeding a 7-inch operator monitor. The receiver, located in a separate client booth, feeds two 24-inch production monitors via its dual SDI outputs. The sub-1ms latency is vital here, as the focus puller relies on the wireless feed to hit precise marks on a macro lens where the depth of field is measured in millimeters.
On a travel shoot in the humid, high-heat conditions of Goa, the thermal dissipation of the aluminum chassis prevents the units from thermal throttling during extended outdoor interviews. When powered via D-Tap from the camera’s V-mount battery, the transmitter maintains a consistent voltage draw, while the receiver can be mounted to a director’s cage and powered by a standard NP-F970 battery, providing several hours of continuous monitoring without a battery swap.
The St Video 750 Sdi/Hdmi is designed to integrate into a professional battery ecosystem. Both the TX and RX units come standard with integrated Sony L-series (NP-F) battery plates, supporting NP-F550, F750, and F970 cells. For more permanent installations or rig-integrated setups, the units feature a 4-pin LEMO-style or DC barrel input (typically 7V to 36V), allowing them to be powered directly from a camera’s power distribution box or a V-mount/Gold-mount plate. In terms of signal compatibility, the system functions seamlessly with all major cinema cameras from ARRI, RED, Sony, and Blackmagic, as well as mirrorless systems from Canon and Panasonic. It is important to note that while the system can cross-convert signals (SDI in to HDMI out), it does not perform resolution scaling; the output resolution will match the input resolution provided by the camera.
While the St Video 750 Sdi/Hdmi is a robust tool, it has specific limitations that may necessitate different equipment. This system is strictly limited to 1080p HD resolutions. If a production requires a 4K wireless monitoring path for critical color grading or high-resolution client review, a dedicated 4K transmission system would be required. Furthermore, while 750 feet is substantial, it is a line-of-sight rating. In environments with thick concrete walls or heavy steel reinforcement, the effective range will drop significantly. For multi-floor transmissions or shoots in dense urban environments where the receiver is several rooms away, a system with high-gain array antennas or a more powerful 2000-foot rated unit is more appropriate. Additionally, this system is a point-to-point or point-to-multi-point link; it does not feature built-in internet streaming capabilities. For live streaming directly to social media platforms without a computer or switcher, an encoder-based transmitter would be the better choice. Finally, users requiring a "zero-cable" handheld director’s monitor should ensure their monitor has integrated power out, as the St Video 750 requires its own power source separate from the monitor unless a shared battery plate is used.
This St Video 750 Sdi/Hdmi is delivered to your door anywhere in Mumbai and collected from the same address when your rental ends. Pick your dates on this page to see the exact price for your booking — rates are per day and drop for longer rentals, so weekly and monthly bookings cost less per day than the daily rate.
Most rentals in Mumbai are zero-deposit once your one-time Aadhaar-based KYC is done; high-value kits carry a refundable deposit returned when the gear comes back. Shooting early? Schedule delivery for the evening before so you start the day charged and tested.